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German composer. He wrote chamber and orchestral music and collaborated with Bertolt Brecht on operas such as Die Dreigroschenoper/The Threepenny Opera (1928) and Aufstieg und Fall der Stadt Mahagonny/The Rise and Fall of the City of Mahagonny (1929).
English composer. Among his many works are the Young Person's Guide to the Orchestra (1946); the chamber opera The Rape of Lucretia (1946); Billy Budd (1951); A Midsummer Night's Dream (Shakespeare; 1960); and Death in Venice (after Thomas Mann; 1973).
English composer. His haunting, richly harmonious works include the opera A Village Romeo and Juliet (1901); the choral pieces Appalachia (1903), Sea Drift (1904), and A Mass of Life (1905); orchestral works such as In a Summer Garden (1908) and A Song of the High Hills (1911); chamber music; and songs.
Italian composer. He was the most successful opera composer of his time, producing 20 operas in the period 1815-23. He also created (with Gaetano Donizetti and Vincenzo Bellini) the 19th-century Italian operatic style.
German composer. His operas (and he wrote little else) have been seen and discussed as uniquely profound studies of human psychology and existence, treating central themes of love, salvation and society, but they have also had more worrisome supporters.
Russian composer. He wrote the music for the Diaghilev ballets The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), which were highly controversial at the time for their use of driving rhythms and bi-tonal harmonies.
Composer, born in Cleveland, Ohio, USA. His Oscar-winning compositions include the songs ‘Moon River’ (1961) and ‘Days of Wine and Roses’ (1962), and the film scores for Breakfast at Tiffany’s (1961) and Victor/Victoria (1982).
From Encyclopedia of American Studies The American Broadway musical is arguably the most distinctive and original theatrical form to develop in the United States and one of the most prominent forms of American popular entertainment of the twentieth century.